
Just as fortune favors the brave, uncertainty benefits the prepared:
For the show’s cinematographers, such as longtime Bourdain collaborator Zach Zamboni, that means adhering to Boy Scout levels of preparation.
“We do carry a lot of gear,” Zamboni says. “We’ve gone into a shoot with 11 different types of cameras before. The central concept of the show is this idea of getting lost; that you have to be lost in order to find something you haven’t seen before. So you have to be prepared when that happens.”
As Zamboni explains, even when a particular episode might be tackling a well-traveled, well-known location, the crew still puts a premium on “getting lost” in some fashion, even if that simply means shooting counterintuitively.
“‘Las Vegas’ was the first show we shot last year, and we decided we were going to keep the camera on the tripod until it was just painful to do so,” Zamboni relates. “Typically on a documentary shoot, you’re trying to capture reality as it happens, and you become adept at framing the chaos of reality, picking up the camera to apply your sense of blocking and framing to improve on reality. But when you’re confined to the tripod, there’s a whole new level of discipline. You’re almost going against your own basic cinematic instincts.
“Philosophically, it’s very much like travel, where if you want to see something new, it’s got to be challenging and scary for you. Otherwise you’re just treading the same territory.”
As Lord Baden-Powell once said: Be prepared. Don't find yourself fragile to the unseen event, find yourself in a position to be antifragile to it.