‘Tis the season for Hollywood awards, which means ‘tis the season for celebrities saying silly things about politics. Today, it is Meryl Streep’s speech at the Golden Globes getting the buzz. Mollie Hemingway has a pretty good article at The Federalist critiquing Ms. Streep’s speech. I link to it because it covers areas that I don’t feel necessary to write about.
I do agree that many Hollywood celebrities are “out of touch” and that so many of them wield their influence ham-fistedly when talking about politics. (For example, Leonardo DiCaprio would have been well-advised to not star himself, despite his own passion for the subject, in his documentary with The National Geographic on climate change.) However, I do think that it is a good thing that people who have the opportunities and resources to do so speak out about the things they hold dear. There is something admirable when people do so well and there is something nevertheless human when they do so poorly.
Civil society won’t be improved by removing that fallible human element, so I don't see how ranting about out-of-touch celebrities will do much good. We’re all out of touch in our own ways. That Hollywood celebrities are also should remind us of that and should make us question in what ways we fail to sympathize with our adversaries.
What I found genuinely grievous about Ms. Streep’s speech was the casual racism she displayed:
Ryan Gosling, like all of the nicest people, is Canadian, and Dev Patel was born in Kenya, raised in London, and is here playing an Indian raised in Tasmania. So Hollywood is crawling with outsiders and foreigners. And if we kick them all out you’ll have nothing to watch but football and mixed martial arts, which are not the arts.
Unfortunately, racism is always obvious. Especially in the modern world we live in, racism tends to be a subtle bias. It seeps into our lives when we think quickly and most significantly when we bifurcate ‘those people’ from who we are.
In the United States, racism is when we shrug at yet another police-shooting in an inner-city slums because that’s where those violent people live or when we want to keep poor children out of select schools lest the children of those people bring down our school’s standards. Ms. Streep commits that tragic error when she bifurcates football and mixed martial arts from the rest of the population.
Rather than sympathizing with ‘those people’ and giving them the respect they deserve, Ms. Streep relies on silly stereotypes. Those sterotypes are also not true. A good fraction of the fighters, say, in the UFC are non-white foreigners. José Aldo, Yoel Romaro, Ronaldo Souza, Khabib Nurmagomedov, Fabricio Werdum, Doo Ho Choi, Edson Barboza, Lyoto Machida, Rafael dos Anjos, Beneil Dariush, Kyoji Horiguchi, Anderson Silva, Amanda Nunes, and Francis Ngannou are all élite non-white foreigners. If we are to consider white foreigners, Khabib Nurmagomedov, Conor McGregor, Michael Bisping, Alexander Gustaffson, and Demian Maia are also among the élite. Turning to non-white Americans, Jon Jones, Demetrius Johnson, Daniel Cormier, Rory MacDonald, Cain Velasquez, Georges St-Pierre and Tyron Woodley also contribute to the amazing diversity mixed martial arts displays.
Whenever the UFC rolls into town, one can expect a show exhibiting the full rainbow, both cultural and genetic, of the human experience.
Maybe if she actually didn't rely on stereotypes, Ms. Streep would understand how martial arts has been enriched over the past generation because of the fact that America does not have a monopoly on martial-arts talent. Instead, she simply casts that duty to sympathize aside and treats of the people involved in terms of stereotypes. She fails to give mixed martial art’s foreign talent the credit they deserve and instead relegates them back-stage, as one would expect in a racist society.
Mixed martial arts is actually a very cosmopolitan sport and a sport largely made possible by the disruptive innovations of non-white foreigners. The entire sport found its genesis in the Gracie clan coming to America and creating a forum to advertise their own discipline, Brazilian jiu-jitsu. Without a bunch of brown, poor, Portuguese-speaking martial artists coming to America, mixed martial arts would not have emerged in the ‘90s. To this day, Brazilian jiu-jitsu is the martial art most identifiable with mixed martial arts and the UFC.
One of the beautiful things about mixed martial arts, and of martial arts in general, is that it can be viewed as a pursuit of human excellence, and therefore of virtue. Just last year, the #OscarssoWhite controversy brought criticism upon the Oscar Academy for its all-white set of nominees a second year running. (It seems pertinent to the subject of my ruminations here to point out that Creed and Michael B Johnson were both deserving of at least a nomination.) Those concerns are largely lacking in mixed martial arts. Race did nothing to prevent Tyron Woodley defending his belt against Stephen Thompson at UFC 205 or to prevent Amanda Nunes, who is the UFC’s first LGBT champion, from knocking out Ronda Rousey inside of a round at UFC 206.
As Ms. Streep wisely noted: “And when the powerful use their position to bully others, we all lose.” Hollywood is a place for the arts and, through the arts, Hollywood’s celebrities can enrich our civilization. However, when one of Hollywood’s prima inter pares uses that position to disparage other cultural aspects of that civilization, she becomes, at best, a bully. Unfortunately, in her speech, Ms. Streep became something worse, a racist bully.